Billy Bush
Producer, Engineer, Mixer ( Garbage, Tegan & Sara, Muse ) - TG2 Pre Amp/DI, TG1 Limiter, Germanium Pre Amp/DI, Germanium Tone Control
Blackbird Studios
Blues Saraceno
( Melissa Etheridge, Ziggy Marley )
Brian Kehew
( Matthew Sweet, Beck, Aretha Franklin, Talking Heads, Fleetwood Mac, Ramones, Pretenders, Alice Cooper, The Faces, The Eagles, Black Sabbath, The Stooges, Yes, Elvis Costello, Stone Temple Pilots )
Chris Hesse
( Hoobastank )
Dave Wood
( Jesse McCartney, Marie' Digby, Lil Wayne, Ludacris, Gladys Knight, music director for Hilary Duff )
David Kahne
( Paul McCartney, Stevie Nicks, Sublime, MTV Unplugged: Tony Bennett, Sugar Ray, The Bangles )
Deryck Whibley
( Sum 41, Avril Lavigne, Pain for Pleasure )
Emanuel Kiriakou
( Celine Dion, Jordin Sparks, David Archuleta, Nick Lachey, Backstreet Boys, Jesse McCartney )
Ethan Mates
( Linkin Park, Korn, Black Eyed Peas, Tupac, Slipknot, Lionel Richie, Jennifer Lopez, Tom Petty, Motley Crue, Red Hot Chili Peppers, Haze, Good Charlotte, Sting )
Goo Goo Dolls
Green Day
(Grammy Award Winners) - RS124 Compressor, Curve Bender, Zener Limiter, TG Channel MKII, TG2 Pre Amp/DI, LTD-2 Compressor, Little Devil Colored Boost Guitar Pedal
Hoobastank
Jimmy Messer
( Kelly Clarkson )
Joe Barresi
( Hole, Weezer, Queens of the Stone Age, TOOL )
John McBride
John Paterno
( Joan Osborne, Los Lobos, Faith Hill, Phil Vassar, Bonnie Raitt, Tim McGraw, The Black Molly's )
Matt Bayles
( Soundgarden, Pearl Jam, Mastodon )
Michael Brauer
( Producer, Mixer, Engineer - Rolling Stones, Coldplay, John Mayer, Paul McCartney, Aretha Franklin, and more... )
Michael Wagener
( Mötley Crüe, Overkill, Accept, Great White, Poison, Alice Cooper, Extreme, Megadeth, Janet Jackson, Ozzy Osbourne, Dokken, Metallica, White Lion, Skid Row )
Peter Katis
( Interpol, Guster, Longwave, Ours, Robbers On High Street )
Ralph Patlan
( Megadeth, Jamie Foxx, Rick Derringer, Michael Schenker, Brian "Head" Welch, Chris Poland/OHM )
Rammstein
Ross Hogarth
( John Fogerty, Ziggy Marley, Edgar Winter, Jimmy Eat World, Lifehouse, Clay Aiken, John Mellencamp, Melissa Etheridge, Coal Chamber, Roger Waters, Jewel, Black Crowes, Mötley Crüe, Keb' Mo')
Ryan Hewitt
Producer, Mixer, Engineer (Red Hot Chili Peppers, The Avett Brothers, Blink-182, Tom Petty, The Lumineers, Bob Dylan)
Slipknot
Steve Evetts
( Dillinger Escape Plan, The Cure, He Is Legend, Sepultura, Story of the Year, Every Time I Die, Earth Crisis and Our Last Night )
"Let me express my "wowness" with the TC - Incredible! It does things no other EQ I've heard can do, the bottom end is HUGE - I failed to reproduce that with my other EQ's miserably. The active section is "no-less-wowing", the cliche "it never gets harsh" applies here, it's bold and beautiful!"
–Andre Antonio, Canada
"Suffice to say that the TG2, Germ pre and EQ, and TG1 are there anytime I track drums, TG2 for guitars and the LTD-1 is there whenever I do vocals!"
–Billy Bush
"When I first tried these last week, I passed an old mix through them. I added +2db at 20k and a -2db of 300hz.............When I regained consciousness there was a bulge in my pants...LOL. These things are freaking cool. And that British look had me sipping tea all weekend. Jolly-oh!"
–Gear Slut
"There aren't many products that come my way which genuinely surprise me, but this Chandler Tone Control is one of the few. It does so much more than it looks like it should, and it does those things so much better than anything else I can think of. If you want interesting and musical EQ, this is it. Start saving your pennies now!"
–Hugh Robjohns, “Sound on Sound” Nov. 2007
"I think this is one of the most musical sounding EQ's I have ever heard. It immediately turned a paper thin snare sound into a phone book!!! Insane! The low end control is incredible....from fat round bass tones to thick kicks, and the top is sweet and powerful. The flexibility and control of this EQ is unlike anything out there, and once it found its spot on an instrument, I was extremely bummed that I didn't have a console full of these!"
–Joe Barresi
"The eqs---just total game-changing magic from the interactive thick section! So easy to work with just your ears., experimenting with the interactions --- the presence and treble are both so crazy usable too. Musical to the max, great for any vocal or instrument. I've got an amazing low-mid low-end thing going that makes everything sound amazing."
–Matthew Sweet
"I thought this EQ strip was awesome, but the multi combinations of gain/feedback turn this toy into a chameleon."
–Michael Brauer
"If gear design were a sport, I'd be call for steroid testing of Wade Goeke, as he seems to hit a home run everytime he's at bat. I don't think its an exaggeration to say his Germanium Tone Control is the most innovative new EQ design I've seen. You'll find this EQ is capable of making insanely perfect tones. I've never heard an EQ that can truly make a sound fatter in the way this one does."
–Mike Caffrey, “Tape Op” Nov/Dec 2006
"I just wanted to say, after mixing two albums with Tone Control and LTD-2 how sick those devices are. Creating sounds is as easy as playing Game Boy. Great stuff!"
–Mikolaj Bugajak, Audio-Games, Poland
"...This thing is like potato chips, there is no way you can have just one!"
–Paul Vnuk Jr.
"Our Tone Control arrived, and I inserted it on a vocal track -- ridiculous I say! The top end is SO smooth, I boosted 20k all the way just to see -- NO sibilance just "expensive air". Cut 150, boosted 220 interactive mode...PHAATTTNESS, no boominess. I'm very upset though, and I know people have posted this on gearslutz, because I MUST have 7 more."
–The Wilshires